When Emily Haines and James Shaw aren’t performing with Broken Social Scene, they’re working on a slightly more electronic project. Powell’s Land of Talk actually toured with BSS so Powell could perform with both acts in one show. Land of TalkĪfter Elizabeth Powell contributed her vocals to Brendan Canning’s solo album Something For Us All, Powell was asked to join the band. She joined the band just in time to record their sophomore album, You Forgot It In People. The band is still playing together after all these years they released their sixth album, Other Truths in the fall of 2009.īefore Leslie Feist was writing chart-topping hits as a solo artist, she was serving as a vocalist for BSS. Future Social Scene members Charles Spearin, Julie Penner and Ohad Benchetrit took the helm of this Toronto-based instrumental rock group. This five-piece formed in the mid-‘90s, before Broken Social Scene was even a twinkle in its founder’s eyes. After a two-month long trip to Cuba, Whiteman became enamored with Cuban music and assembled a four-piece to start playing Brazilian and Cuban folk songs. Guitarist Andrew Whiteman is one of the four members of Broken Social Scene who has stuck around with the group for every tour. To make things a little easier for you, we’ve made a list of just a few of the other musical projects that members of Broken Social Scene have been a part of over the years. With a group so big, it’s easy to get confused about what each member is up to. Its many talented members are constantly in and out of the music collective and working on multiple side projects. Anybody who works in any medium that covers him is feeling it.Canadian music collective Broken Social Scene has to have one of the most fluid lineups in the modern music world. The classic Friday afternoon news dump, when administrations traditionally break controversial stories as late as possible to get the least amount of coverage, now happens basically every day. What makes the job harder is this administration's penchant for breaking stories in the late afternoon, when Stephen and the writers are in the middle of the post-rehearsal rewrite and have to add new material essentially in real time. One reviewer said, “When you watch that show, you get to watch Colbert’s heart get broken on live television.” The next day he had to give the staff a pep talk so they could do their jobs. We had a big song and dance that was choreographed and everything. We did a live show on election night, and we’d prepped for when Hillary was announced the winner. He and Bernie (Sanders) both surprised people with their large turnouts. In 2015, as we were prepping to do the new show, we all gathered in a conference room and watched Trump come down the escalator. How has his role on the world stage affected the show? The show started around the same time as Donald Trump's candidacy. He invited the whole staff to work there, and most of his employees came over. One day Stephen called the staff down to the studio and said, “I’m giving the show up.” He took a breath, then said that it was because he was going to take over David Letterman’s show. How did you learn about your boss' move to 'The Late Show?' They might not have followed along without jokes. Stephen started a Super PAC for satirical purposes I was proud we educated the public on it. They’re non-profits that can’t interact with campaigns, yet secretly do. I spent a year writing about Super PACs, which is not a naturally funny topic. Those scripts were at times very complicated. Then we’d rewrite and tape around 5 or 6 p.m. The executive producers and Stephen would meet around 1 p.m., read aloud and rehearse around 3 p.m. The writers would meet in the morning and pitch stories. How do you put together a nightly show like 'The Colbert Report?'
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